Aramean Blending of Hittite Art

Aramean Blending of Hittite Art

The blend of Hittite Aramean and Assyrian beliefs is evident in the prominent features of Hittite Aramean and Assyrian monuments these include freestanding bas-reliefs depicting mythological/hunting scenes monumental sculptures and ivory carvings often characterized by simple and rigid forms Although this art originated in the Levant it was later incorporated into Egypt by the Aramians their appearance in the 6th century BC is reflected in the high degree of detail found on Aramean luxury goods lion statues are prominently used at doorways and depictions of gods and rulers are prominent the Aramean civilization reflects a new cultural synthesis in the Iron Age. Post-Hittite and Aramean Art Bas-reliefs

This artistic fusion combines traditional Hittite artistic styles with new elements Large stone slabs at the base of palace walls famously discovered at Carchemish and Sintiraly often depict ritual scenes military victories and feasts. Indigenous traditions and influences from conquered or neighboring cultures such as the Hattians and Hurrians influenced post-Hitte art are evident in its public sculptures such as carved stone slabs and animal figures like lions bulls and eagles.

Post-Hitte art is a regional style specific to the New Kingdom of Egypt particularly the Battle of Kadesh where Hittite metalworking techniques and artistic motifs significantly influenced Egyptian art. Many of these recurring themes depict Hittite deities and rituals hunting scenes are also prevalent in Hittite bas-reliefs along with representative animal motifs the period roughly between the 19th and 18th centuries BC. known as the colonial era preceded the establishment of a larger Hittite kingdom in the region. Inhabitants during this time included the Hattians Hurrians and Assyrians who settled in trading colonies that the Hittites gained control of upon their arrival. Artistic styles from this period involve a fusion of Anatolian symbolism and art.